New Earrings for Summer

The Westerly Gallery is gearing up for our June show, and I figured it would be fun to experiment with some new earring styles.  So here are a few of the designs I've made.

These three earring sets are topped with small cubes of pearl clay that has been covered with super thin slices of various translucent clay canes.  The color comes from striped translucent canes in which I had used just a tiny bit of color to separate the white stripes and add some interest.  The hammered pins holding the crystals add a different dimension, and the sparkle from the crystals are just the right touch.

The earring sets to the right were made from slices of petal canes that I made at the Carol Simmons workshop weekend. When I have made a cane in a workshop, and still have some left over, I'm always curious what else I could do with it besides what the instructor had us try.  Hence, these tiered and layered petal earrings.  Fun look and good colors for summertime.

These next two pairs are roll-up beads I made from a couple more canes I made at Carol's workshop. I used stone beads to embellish the ends of the rolls for a different touch.

Finally, I used translucent canes and some simple petal canes to make teardrop earrings.  This shape was inspired by these new earwires with attached caps that I got from Donna Kato. It's a fun shape and something new to play with.

More Master Class Camp Workshops: Dan Cormier & Ponsawan Sila

In this post, I'll talk briefly about a 2-day master class, and a 2-hour mini-workshop I took in July at the Master Class Camp.  One special aspect of the Master Class Camp, well-organized by Kathryn Ottman, is that the basic workshops each run for 2 consecutive days.  This provides the participant with the opportunity to study with one instructor in depth, and to come away with a more solid understanding than is possible in half-day classes.  Kathryn started the Master Camp last year, and I was really happy to be able to participate this year.
The 2-day master class was with Dan Cormier.  Dan is known for his precise processes with mica shift and his ability to create some incredible images in clay.  Dan has developed not only a special process, but a wide variety of tools to compliment his procedures.  His website includes clay peelers, digital class books, die sets, and the Sh.A.R.K, a very successful width adjuster.  Throughout the 2-days, Dan demonstrated each step of his process.  He has a very precise method of conditioning clay, creating stacks of clay, and creating slices of those stacks.  He also demonstrated the use of his die sets and some methods of manipulating and impressing designs in the stacks of clay.

These two pendants are examples of slices from stacks I made based on Dan's processes.   The gold to rust piece in particular demonstrates the halo or "bruising" around the holes that is a direct result of Dan's process of clay preparation, impression, and slicing.  Very distinctive.


In addition to the 2-day master classes, Kathryn also arranged a few special 2-hour sessions in the evenings.  I participated in the evening session with Ponsawan Sila.  Ponsawan shared some of her tips and tricks about making narrow Skinner blends to create petal canes. She demonstrated how she makes small round and disk shaped beads using petal slices. One surprise was the fact that she sometimes rolls the raw beads in table salt before baking. After baking, the beads have a fine texture with some tiny holes left by the salt.  The holes show up particularly in the purple round bead on the left.

Ponsawan also demonstrated how to create small flower buds using slices of the petal canes.  Most of us then spent the rest of the time creating our own flowers, buds, and beads from the tiny canes we had made. The photo to the left shows my collection of buds and flowers.